Suicide
Decidedly non-commercial, Suicide is hardcore dancehall. Pounding drum and bass driven beats frame the rebel voices of dancehalls hot stars and undiscovered talents.
The gravely vocals of deejay Mega Banton may be familiar from his 1994 crossover hit, Sound Boy Killing. Jamaican producer Dean Mundy, pairs the toaster with the edgy vocals of fresh singer/songwriter Patchy on the assertive, Crying Time.
Deejay Lexxus proclaims boldly his Thug Life status on a raw and realistic track tempered by the smooth hooks of Mr. Fresh and O’Neil Shines.
Dubbed Jamaica’s “rude boy band” by Rolling Stone, T.O.K. mix four part harmonies, Craig T’s textural rapping, Bay-C’s deep rhymes and searing vocals from Alex and Flexx to define Freaked Out.
Two tracks deviate slightly from the albums gritty approach and deserve special mention. Tanto Metro and Devonte, well know for their catchy love songs, Everyone Falls in Love and Give...
The gravely vocals of deejay Mega Banton may be familiar from his 1994 crossover hit, Sound Boy Killing. Jamaican producer Dean Mundy, pairs the toaster with the edgy vocals of fresh singer/songwriter Patchy on the assertive, Crying Time.
Deejay Lexxus proclaims boldly his Thug Life status on a raw and realistic track tempered by the smooth hooks of Mr. Fresh and O’Neil Shines.
Dubbed Jamaica’s “rude boy band” by Rolling Stone, T.O.K. mix four part harmonies, Craig T’s textural rapping, Bay-C’s deep rhymes and searing vocals from Alex and Flexx to define Freaked Out.
Two tracks deviate slightly from the albums gritty approach and deserve special mention. Tanto Metro and Devonte, well know for their catchy love songs, Everyone Falls in Love and Give...
