I Love Paris
Reviews:
Showtunes & standards, broken-up by some originals & a touch of bop. Most of these are swinging trio pieces, with Aaron relying on his right hand to reveal the melody in short, quick phrases. The title cut is finger-snappin’ fast with Jay Epstein hustling along on the drum kit as Aaron & Lewis take turns surfing the melody. “Skylark” is a showpiece of sensitivity with a thoughtful bass solo. Dizzy’s “Con Alma’ is played briskly, with percussive piano, tinkly cymbals and strutting bass lines. In “Stella By Starlight”, Aaron is at his best, with an introspective introduction and some of the longer right hand runs on the disc. This trio works very well together, maintaining the integrity of each piece they play! - Cadence Magazine
Phil Aaron’s got a ready sense of swing, a bright and warm sound, and an arranger’s flair for putting new saddles on old warhorses. A solid and satisfying set of piano trio jazz, stoked by a standout ...
Showtunes & standards, broken-up by some originals & a touch of bop. Most of these are swinging trio pieces, with Aaron relying on his right hand to reveal the melody in short, quick phrases. The title cut is finger-snappin’ fast with Jay Epstein hustling along on the drum kit as Aaron & Lewis take turns surfing the melody. “Skylark” is a showpiece of sensitivity with a thoughtful bass solo. Dizzy’s “Con Alma’ is played briskly, with percussive piano, tinkly cymbals and strutting bass lines. In “Stella By Starlight”, Aaron is at his best, with an introspective introduction and some of the longer right hand runs on the disc. This trio works very well together, maintaining the integrity of each piece they play! - Cadence Magazine
Phil Aaron’s got a ready sense of swing, a bright and warm sound, and an arranger’s flair for putting new saddles on old warhorses. A solid and satisfying set of piano trio jazz, stoked by a standout ...