Bustin' Outta the Ghetto
Ska bandleader Carlos Malcolm was an underappreciated figure of the music's early days, and also
made some recordings in New York in a more Americanized vein. A native of Kingston, Malcolm
received formal musical training and broke into the business playing trombone with the legendary
Don Drummond in a jazz group in the late '50s. In 1962, he was tapped to head the ten-piece house
orchestra of the newly established state radio organization the Jamaican Broadcasting Corporation,
and wrote some of the first formal ska arrangements as a result. He also composed uncredited
music for the soundtrack of the first James Bond film, Dr. No (which was partly filmed in Jamaica),
and formed his own group, the Afro-Jamaican Rhythms, whose music melded ska, African, Latin,
and jazz rhythms. They scored hits in Jamaica with "Rukumbine" (1963) and, especially, "Bonanza
Ska" (1964, a rework...
made some recordings in New York in a more Americanized vein. A native of Kingston, Malcolm
received formal musical training and broke into the business playing trombone with the legendary
Don Drummond in a jazz group in the late '50s. In 1962, he was tapped to head the ten-piece house
orchestra of the newly established state radio organization the Jamaican Broadcasting Corporation,
and wrote some of the first formal ska arrangements as a result. He also composed uncredited
music for the soundtrack of the first James Bond film, Dr. No (which was partly filmed in Jamaica),
and formed his own group, the Afro-Jamaican Rhythms, whose music melded ska, African, Latin,
and jazz rhythms. They scored hits in Jamaica with "Rukumbine" (1963) and, especially, "Bonanza
Ska" (1964, a rework...